Static Quiz 03 October 2026 (Art & Culture)

Daily Static Quiz Prelims Practice 2027

Score: 0 / 0
Q1
Kangra painting reached its peak under the patronage of which ruler?
  • ARaja Sawant Singh
  • BRaja Kripal Pal
  • CRaja Sansar Chand
  • DMaharana Sangram Singh
Answer: (c)

Kangra painting flourished under Raja Sansar Chand in the late 18th century, known for its delicate lines, lyrical Radha-Krishna themes and soft colours. Raja Sawant Singh was instead the patron of the Kishangarh school, Raja Kripal Pal was associated with Basohli painting, and Maharana Sangram Singh II was a patron of the Mewar school.

Q2
  • The illustrated Hamzanama was produced at the court of Jahangir.
  • The famous Bani Thani painting belongs to the Kishangarh school.
  • AStatement 1 is correct but Statement 2 is incorrect.
  • BStatement 2 is correct but Statement 1 is incorrect.
  • CBoth statements are correct.
  • DBoth statements are incorrect.
Answer: (b)

Statement 1 is incorrect — the Hamzanama was actually illustrated under Akbar, one of the earliest large projects of the Mughal atelier, supervised by Mir Sayyid Ali and Abdus Samad. Statement 2 is correct, since Bani Thani, painted by Nihal Chand under Raja Sawant Singh, is the signature work of the Kishangarh school, sometimes called the "Indian Mona Lisa."

Q3
Which of the following statements is incorrect?
  • AUstad Mansur was renowned for his paintings of birds and animals at Jahangir's court.
  • BBasohli painting is known for bold primary colours and strong facial profiles.
  • CPala school paintings on palm-leaf manuscripts mainly illustrated Jain texts from Gujarat.
  • DMughal painting began under Humayun with the Persian masters Mir Sayyid Ali and Abdus Samad.
Answer: (c)

Option (c) is incorrect — Pala school paintings (8th–12th century) actually came from Bengal and Bihar and illustrated Buddhist texts such as the Prajnaparamita; Jain palm-leaf paintings from Gujarat instead belong to the Western Indian (Apabhramsa) school. Options (a), (b), and (d) are all correct — Ustad Mansur was Jahangir's master of natural history painting, famous for his studies of birds, animals and flowers; Basohli painting is known for vivid colours, bold lines and large expressive eyes; and Humayun brought Mir Sayyid Ali and Abdus Samad from Persia, laying the foundation of Mughal painting.

Q4
  • Assertion (A): Mughal painting under Jahangir shifted towards portraiture and realistic studies of nature.
  • Reason (R): Jahangir established the imperial painting atelier at Fatehpur Sikri.
  • ABoth A and R are correct, and R is the correct explanation of A.
  • BBoth A and R are correct, but R is not the correct explanation of A.
  • CA is correct, but R is incorrect.
  • DA is incorrect, but R is correct.
Answer: (c)

Assertion A is correct — under Jahangir, the focus moved away from large narrative manuscripts towards portraits, court scenes and naturalistic studies of flora and fauna, reflecting his personal interest in nature. Reason R is incorrect — the imperial atelier was actually organised by Akbar, and Fatehpur Sikri was Akbar's capital, not Jahangir's.

Q5
How many of the following painting schools are correctly matched with their broad tradition?
  • Kishangarh — Rajasthani
  • Guler — Pahari
  • Bundi — Rajasthani
  • AOnly one
  • BOnly two
  • CAll three
  • DNone
Answer: (c)

Pair 1 is correct — Kishangarh is a Rajasthani school, known for elongated eyes and idealised Radha-Krishna figures. Pair 2 is correct, since Guler is a Pahari school, regarded as a precursor of the Kangra style. Pair 3 is correct too — Bundi is a Rajasthani school from the Hadoti region, known for lush landscapes, rich colours and Ragamala themes.

Book a Free Demo Class

October 2026
M T W T F S S
 1234
567891011
12131415161718
19202122232425
262728293031  
Categories

Get free Counselling and ₹25,000 Discount

Fill the form – Our experts will call you within 30 mins.